![]() Haley and Loker, getting drunk, begin to argue, and Marks urges them to get back to business. Over drinks, Loker and Marks commiserate with Haley and agree that slave women's attachment to their children can be inconvenient. Today, UTC is fully canonized as a superb yet still controversial piece of sentimental literature.Haley, frustrated by Eliza's escape, goes back to the inn, where he chances to meet his old partner, Tom Loker, accompanied by a man named Marks. The popularity of the novel has led to a rich consumer culture and to a transnational commodification of its theme (the novel was even more popular in Britain than in the U.S.) as well as to a mass-cultural dramatic tradition (in the shape of sensationalist Uncle Tom plays) the latter has somewhat hampered an adequate scholarly reception of the book way into the second half of the twentieth century even as the text itself exhibits a rich repertoire of romantic and sentimental representational strategies and literary devices. Thirdly, the prominent role of religion has been pointed out with regard to its ‘higher’ argumentative logic (“God wrote it”) and its conversion formula. In addition, the novel has been considered a formidable piece of women’s writing and a feminist text. ![]() Written in response to the second Fugitive Slave Act of 1850, the novel is often considered as a singularly important abolitionist intervention and as a persuasive voice in the anti-slavery struggle - albeit at the expense of having created some of the most powerful stereotypes of African Americans. This essay provides an introduction to Harriet Beecher Stowe’s sentimental reform novel Uncle Tom’s Cabin (in the following: UTC), places the text in its historical context, and sketches its nineteenth- and twentieth-century reception history.
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